‘All sky and geometry’

Field and gate

Soon we will have been in Lincolnshire a year. Autumn is moving into winter and the landscape is beginning to look bright and spare and empty as it did on my very first walks here.

I found the phrase ‘all sky and geometry,’ describing the fenland landscape, quoted from the poet John Clare on the Woodlands Farm website. Now I have found Clare’s collected works among my partner’s books and am reading his nature poetry for the first time. I love ‘all sky and geometry;’ it exactly describes the abstract art that I find around me, especially at this time of year (see this old post).

Today was cold but beautiful and I walked on Great Hale Fen, with low, slanting afternoon sun gilding the ploughed fields; I walked along Car Dyke, the drainage ditch dug by the Romans and then past the windmill and the station on my way home to Heckington.

The photos here, with their straight lines and angles, are ones which make me think of geometry, as well as art. Many of the lines are man-made: the railway, electricity cables, drainage ditches and field boundaries. But always, all around there is that flat-line of a horizon, earth meeting sky, outside us and beyond our reach.

The folk group, LAU play a piece called Horizontigo, a response to the fenland landscape by musician Kris Drever, who comes from Orkney. Here they are playing it. I love the title: and wonder if Horizontigo is what a friend was suffering from when she said all my blog photos of flat landscapes were making her dizzy (see Flat vs bumpy post).

More of the photos from my walk are on the Facebook page. Do pay it a visit and ‘Like’ it if you haven’t already.

And for more on John Clare and his poetry, see these recent pieces by George Monbiot and Andrew Motion:
http://www.theguardian.com/commentisfree/2012/jul/09/john-clare-poetry
http://www.theguardian.com/books/2003/oct/18/featuresreviews.guardianreview5?guni=Article:in%20body%20link

Line to Boston

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